Eva Campos Suárez(Born in 1991 in Sabadell, Spain)
After finishing her studies in Fine-Arts at University of Barcelona in 2013, she decided to move to Brussels, where she started a life as a freelance photographer and videographer with at first contact of the choreographer Marie Martinez. Then a new world opened in front of her: dance, performance, theatre and circus disciplines, mixed or not. She discovered rooms/halls where the presentations of artistic projects took place and where she could have contact with the artists. There she met a lot of international artists and she learned plenty of new concepts. In that journey, a lot of new ideas came and she decided to start them when she met and worked with Ana Cembrero Coca and La Ignorancia, a big reference to her. Interested already in the screendance/videodance/filmdance, she encountered Marta Kosieradzka with whom she created a nice team and they two together have done several dance shortfilms, the most important of which are THE THREE ODDEST WORDS trilogy and CONCERT OF THE SAXOPHONE AND A SPINE. So she became a filmmaker and found her way of making dance film. |
Marta Kosieradzka(Born in 1983 inWarsaw, Poland)
She graduated from European Academy of Arts in Warsaw from a graphics department in the atelier of graphic workshop techniques (M.A diploma 2007) and from Artesis Royal Conservatory in Antwerp, dance department (B.A diploma in 2010). In 2007/2008 she studied dance in Institute for Dance arts in Linz, Austria. She is also holding a contemporary dance teacher diploma issued by Mazovia Region Center for Arts and Culture in Warsaw. In 2009 she was awarded a scholarship for young choreographers by Polish National TV for the solo AN OBJECT, with the same choreography traveled to different festivals and art venues (SoloDuo in Budapest, Baltic Movement Contest- Gdansk, Dimanche Rouge -Paris, Boekenbeurs Antwerpen). In 2010/2011 she participated in project I CAN RIDE A HORSE WHILST JUGGLING, SO MARRY ME choreographed by Jan Martens/United-C premiered in Melkweg Amsterdam. In last years she’s been involved in few projects collaborating with fashion designer Juliette Bogers (Fashionclash Maastricht, Dutch Design Weeks, In fashion), visual artist Elena Bajo (D+T Gallery Brussels), Ben Cain (Wiels, Brussels), poet Sabine Martens DANCE OF THE DEAD POET (Gent). In 2013/2014 she was working on her own creations in a frame of "20 for Brussels 2013", creative laboratory of choreographic creation for young choreographers (perfromances at Museum Night Fever, Bozar, Centre Cultureel Jacques Franck). In the frame of this programme she developed a dance-music duets HANDFUL OF DUST (with Rui Salgado) and BIRTHBIRDBABYBLUE' (with Inge van den Kroonenberg) and two dance films WINDMILLS IN THE OCEAN and HANDFUL OF DUST. In 2014, she realised with Eva Campos Suárez a film project THE THREE ODDEST WORDS, a dance trilogy based on a poem by polish poet Wislawa Szymborska. Also in the same year, she participated in productions of Vlaams Muziek Theater, project DANCE OF THE DEAD POET (Sabine Martens) and Opening and Closing ceremony of Special Olimpics in Antwerp. In 2015, she realised with Eva Campos Suárez too a ten minutes shortfilm called CONCERT OF THE SAXOPHONE AND A SPINE. Besides dancing/creating she is also teaching dance in schools and around Belgium. |
Aimée de Tarlé(Born 1994 in Creil, France)
She started to learn piano and sing at the Music School of Compiègne when she was 8. She was part of a Departmental Choir for 7 years too, where musicals particularly impressed her. In 2011 she opened a Facebook page named COMPOSITIONS AIMÉE DE TARLÉ to share her musical creations with a small public when she was in high school. Besides music, cinema interested her to the point she enrolled in 2012 in the University of Rennes II, where she met Eva Campos Suárez. They became friends and they kept in touch in different ways after leaving Rennes. In 2014 she started to play as an actress in some student shortfilms and began to write a book (not published yet) while being in her first year in a professional school of drama in Paris. One year later, Eva asked her to compose the soundtrack of NOSTALGIC ONION. Still pursuing the wish to become an actress, she is currently enrolled in Acting International. |